Avid Editing Products & the RED One Camera

 

 

 

Overview

Graphic of simplified workflow

Diagram 1: Sample Workflow. Detailed information related to the applications above can be found in the Avid Resources and Third Party tabs.

“MetaFuze, REDCINE-X and ROCKETCINE-X are the final link in an amazing end-to-end RED workflow allowing you to take the beautiful RED images and convert them to any Avid format including the amazing Avid DNxHD36 for offline before natively importing back to DS for the online. Easily the best workflow out there for taking complex RED offline edits to native finishing with ease.”

Max Burgess
Splice Post Production
London , UK

 

Adapt to any platform. Whether it’s Mac or PC, you can adapt solutions to whatever platform is best suited for your workflow.

Import easily. Ingest picture, sound, and metadata from a RED ONE camera.

Transcode native to native. For a truly efficient and dependable workflow, eliminate QuickTime from the process

Maintain ultimate conform. Finish in Avid DS, the most complete finishing solution for any native RED project.

Finish anywhere. Manage extensive metadata for HD, R3D, or DPX finishing within an Avid product or via third party conform solutions.

Track simultaneously. Track both time of day (TOD) timecode and edgecode at the same time.

Preserve your color. Preserve and pass through all color parameters created by the Director of Photography.

Use multiple source references. Use any combination of source references in DI conform: timecode, edgecode, DPX file name/frame count, in addition to the original R3D file name.

Give your clips friendly names. Edit with friendly, meaningful descriptions for clip names, such as scene and take, without restricting the conform process.

Create new opportunities. Open the door to third party integration with XML representation of the sequence metadata.

Avid Resources

Avid FilmScribe Master XML Template
Get the most recent version of Master XML template here. Replace or add to:
Avid FilmScribe/Supporting Files/FilmScribe_Templates
(Mac OS X and Windows) [zip 6KB]

XSLTs (XML Transforms)
See Step-by-Step Guide for details. [pdf, 4516KB]

  • REDCINE_318_ALE XSLT
    For use with REDCINE v3.1.8 or later. Translates XML file created in REDCINE into an Avid ALE file. (Mac OS X and Windows) [zip 5KB]
  • REDCINE_ALE XSLT
    For use with REDCINE v3.1.5 and earlier. Translates XML files created in REDCINE into an Avid ALE file. [ zip 5KB]
  • SCRATCH_4.2b505_ALE XSLT
    For use with SCRATCH and SCRATCH CINE v4.2 build 505 and later. Converts SCRATCH and SCRATCH CINE XML to ALE for tape- and file-based conform. [zip, 3KB]
  • Scratch_ALE XSLT
    For use with SCRATCH and SCRATCH CINE earlier than v4.2 build 505. Converts SCRATCH and SCRATCH CINE XML to ALE for tape- and file-based conform. [zip, 5KB]
  • FS_Scan_REDCINE_318
    For use with REDCINE v3.1.8 or later. Translates a master FilmScribe XML into REDCINE XML for selects. This file can only be used when the ALE was originally generated from the REDCINE XML file. (Mac OS X and Windows) [zip 4KB].
  • FS_Scan_REDCINE
    For use with REDCINE v3.1.5 and earlier. Translates a master FilmScribe XML into REDCINE XML for selects. This file can only be used when the ALE was originally generated from the REDCINE XML file. (Mac OS X and Windows) [ zip 2KB]
  • FS_Scan_CMX
    Translates a master FilmScribe XML file into a standard CMX 3600 EDL format for Monkey Extract by Rubber Monkey Software or other systems that support the CMX 3600 EDL format. (Mac OS X and Windows) [ zip 9KB]

16Char EDL Template
Modified CMX 3600 EDL to support the full R3D 16 character source file name. Add to Avid EDL Manager Templates folder to use. (Mac and Windows) [ zip 4KB ]

Avid DNxHD QuickTime Codecs
These codecs (Mac and PC) allow REDCINE or REDrushes to render directly to Avid DNxHD.

Avid Metadata Logging and Tracking Whitepaper
Learn about the metadata tracking capabilities of Avid editing products.

Third Party Resources

HD and Avid DNxHD Dailies from R3D files

  • Digital Vision Data Conform creates digital dailies from R3D files for Avid editorial in Avid DNxHD and high resolution finishing in DPX and EXR.
  • Filmlight Baselight Transfer (BLT) – High performance digital telecine tool that seamlessly integrates REDCODE Raw source into industry standard Avid DNxHD resolutions and high resolution formats for grading and finishing workflows.
  • Root 6 ContentAgent generates proxies and commonly used file formats, including Avid DNxHD for offline or high end finishing and HD mastering.

XSLT Translator Applications
Translate XML files into other file formats using XSLT files with XTrans (Windows) or TestXSLT (Mac). See Step-by-Step Guide for details.

ALE File Creation
Extract metadata from QuickTime files and save as ALE with MetaCheater. For step-by-step details on using MetaCheater, read the StudioDaily article. (Mac OS X and Windows)

DPX File Creation
Using a standard EDL, Monkey Extract from Rubber Monkey Software quickly renders DPX files and prepares your footage for final conform. (Mac OS X)

Create DPX files via REDCINE using an XML pull list generated by Avocoda’s cineXML (Mac OS X and Windows)