Your mix… your way. Get amazing sound quality, customizable hands-on control, and unrivaled power that won’t hold you back—no matter what you throw into the mix. That’s why more music and post professionals trust Avid digital audio consoles and controllers than any other mixer on the market. Designed for today’s complex workflows, you get unprecedented control, ergonomics, flexibility, and the most extensive interoperability in the industry.
One way Todd-AO maintains a dominant position in Hollywood's high-end feature film market is by being able to respond decisively to the evolving needs of our clients. Avid consoles and controllers help us to do that. – Bill Johnston, senior VP of engineering, CSS Studios
Since I work in a world where at any minute I can be in Pro Tools, Cubase, or any combination at the same time, the only way I can do what I do is on my System 5. It's really sped up my workflow by a factor of 'Holy Crap!' – Alan Meyerson, music scoring mixer (Inception, The Dark Knight, Pirates of the Caribbean trilogy)
I still have a 15-foot System 5 at my studio in NYC, but I wanted to mix in my living room. After researching digital desks, I came across the D-Command and fell in love with it. – Frank Filipetti, producer/engineer/mixer (Book of Mormon, James Taylor, Korn)
There is nothing quite like this desk [S5 Fusion] in the world. What you can do on here daily surprises me. – Andrew Koss, owner/producer, Tainted Blue Studio; New York
When you compare [ICON] to what you would have to spend to get this kind of flexibility, it's the most economical piece of gear I've ever purchased. – Brian Malouf, recording engineer, producer (Pink, Dave Matthews Band, Celine Dion)
Opening a second facility, the team behind the legendary concert TV showcase adopts an all-Avid workflow to streamline mixing.
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With the goal of becoming Europe’s premier dubbing destination, Technicolor opens a new Paris facility with Pro Tools|HD and ICON.
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With state-of-the-art stages and award-winning sound teams, Technicolor chooses Avid to drive its new 900,000 sq. foot complex.
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With so much riding on delivering top-quality sound mixes in the shortest amount of time, RH chose Pro Tools|HD Native and System 5-MC.
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This Paris post house was the first in Europe to adopt an S5 Fusion console, and its EUCON integration has proved invaluable.
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“It comes in today, it ships today.” That’s been Picture Head’s discovery since putting Avid at the heart of its post facility.
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With two System 5 consoles running its shows, Russia’s largest broadcaster deems the pair “irreplaceable” for production.
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As a low-budget indie film, this ultimate movie blockbuster kept production high and costs low thanks to Avid solutions.
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Faster. Better. More economical. That’s what creative services agency NWE hears from clients daily. And why it chose Avid.
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With a weekly attendance of over 22,000, Saddleback turned to VENUE, Pro Tools|HD, and ICON to elevate its services.
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Adopt an ICON, get a Grammy. That’s what happened to Blake, whose first major album with D-Control won him the award.
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Based at Elstree Studios, this UK post house wanted a sophisticated console at a good price point. Its choice? S5 Fusion.
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Composer/mixer Ray Fabi wanted more mixing flexibility for his music scoring/post company. He found it with System 5-MC.
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As a top music editor in Hollywood, Bos often switches between multiple applications. To streamline his workflow, he chose MC Pro.
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With a state-of-the-art facility that rivals Hollywood studios, engineer John Ross is literally at home with his System 5-MC.
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With multiple System 5 consoles in its facility, the team at Todd-AO captured Oscar gold for Best Achievement in Sound Mixing.
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With its impressive array of dual-operator, EUCON-enabled System 5 consoles, Pinewood puts full flexibility at its mixers’ fingers.
Read the storyOur showcase track—“Believe” by Nimble Tailors—features several loops of the three mixes. Take our listening challenge and see if you can correctly identify which mixes are done on the Neve console, which are completely in Pro Tools, and which are in Pro Tools with HEAT.
