A system designed for a post-HDCAM world.
MASASHI MIZUTANI, BROADCAST OPERATIONS DIVISION, SKY PERFECT JSAT CORPORATION
The DNxIQ is awesome because if I have a 24P project that I need to deliver at 60i, it’s just a click of a button in Avid and the DNxIQ takes care of the rest of it.
KATIE GERDON, ONLINE ASSISTANT EDITOR, TRAILBLAZER STUDIOS
Avid’s offerings give us the seamless two-way flow we need between the newsroom and crews in the field—the ability for crews in the field to access tools at the studio, for the studio to push content to crews in the field, and for crews in the field to select content and pull it to themselves.
DARREN ALLINE, CHIEF ENGINEER, WPLG
The higher bandwidth of Avid NEXIS and Avid’s solid and dependable media management architecture have enabled us to overcome the challenges we were facing with 4K/UHD projects.
MATT EMBRY, PRESIDENT, SPOTLIGHT PRODUCTIONS
Increasingly, speed is the most important thing. Not only are we doing lots of projects simultaneously, for many different clients, but we have to turn a lot of them very quickly.
MARK SATULOFF, PRODUCER/DIRECTOR & FOUNDER, SCRATCH MEDIA
From the word go, we’ve always relied on Avid and the MediaCentral Platform to provide us with the very best post workflow solutions. We have a solid relationship with Avid and their constant development of products and tools gives us the very best brand security. Their extensive support network also sets them apart from other providers.
JAI CAVE, HEAD OF OPERATIONS