• Audio Tracks 128
  • Inputs 32
  • Plug-ins 60+
  • Sessions Unlimited

Customer Stories

Goldcrest_CS_1862

Creativity, quality and efficiency at Goldcrest Post

Having this seamless workflow helps both us and our clients to be more efficient, without sacrificing creativity.

SIMON RAY, HEAD OF ENGINEERING, GOLDCREST POST

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CS_Greg Wells

Greg Wells: The Abbey Road Sessions

When gear is really great, you don't notice it—you just hear the music. And that's what I want and what I get from Pro Tools.

GREG WELLS, PRODUCER/SONGWRITER (KATY PERRY, ADELE, ALL-AMERCAN REJECTS)

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CS_Brian_Tyler_1862

From Orchestral to Urban, Pro Tools Delivers for Brian Tyler

People ask me what my main instrument is, and at first I think of piano or guitar, but really, for the past twelve years, Pro Tools has been my main axe.

BRIAN TYLER, MUSICIAN/COMPOSER (AVENGERS: AGE OF ULTRON, FURIOUS 7, THOR: THE DARK WORLD)

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Damian Taylor

Damian Taylor on Pro Tools | HD and Working with The Killers

You can’t beat Pro Tools. I especially like the Clip Gain feature. In fact, I can’t remember a new feature from any other program that’s more fun to use. Pro Tools is simply the best software for the work that I do.

ROBERT ROOT, CHIEF ENGINEER, BATTLE BORN STUDIOS

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CSEverest1862

Award-winning film and sound editorial teams conquer Everest with Avid Everywhere

Dubbing used to be restrictive… there was always a limited expectation. Pro Tools has removed those limitations and allows full creative freedom and collaboration.

IAN TAPP, SOUND RE-RECORDING MIXER, EVEREST

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CSMissionImp1862

Avid Everywhere Helps Mission Impossible: Rogue Nation Achieve the Impossible

I was initially nervous about committing to such a short timeline using new equipment, but the [Pro Tools] gear performed wonderfully.

JAMES MATHER, SUPERVISING SOUND EDITOR, MISSION IMPOSSIBLE: ROGUE NATION

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