The sound compatibility was amazing—our mixes also translated perfectly to outside theaters.
GREG RUSSELL, TECHNICOLOR
When we’re doing a playback with Virtual Soundcheck, that timecode can re-create pretty much the whole show—all the consoles, music, lights, video, everything. The moment I press play in Pro Tools, everything else follows.
JAVIER ALCARAZ, PRODUCTION MANAGER AND MONITOR ENGINEER, SELENA GOMEZ
The Profile was the right pick, because it is such a flexible platform for this type of show, and it was, by far, the most requested item on bands’ technical specifications.
IAN NELSON, SENIOR ENGINEER, ADLIB AUDIO
I depend on a lot of the features and on the integration with Pro Tools, but I really don’t even think about it anymore. It’s become second nature to me.
CHRIS MADDEN, FOH ENGINEER, SADE
Working with our partners, we were able to build a workflow that allowed everything—picture, sound, color and VFX—to move securely and seamlessly to wherever it needed to be.
JIM DUGGAN, MANAGING DIRECTOR, SCREEN SCENE