It’s important to have the ‘wow effect’ when the customer walks into the room. We get that effect with Pro Tools | S6.
ARTTU PELJO, MIXING ENGINEER, THE FRIED MUSIC
We wanted to be able to find and move content across global sites at the touch of a button, which we’ve definitely achieved with the Avid MediaCentral Platform and third party solutions.
We had been looking at buying an Avid Profile System, so when the S3L came out it meant we could have the functionality of that system at a more affordable price, but without compromising on anything.
JON MARDLIN, SOUND ENGINEER AND MUSIC TECHNOLOGY TEACHER, TRING PARK SCHOOL
Often in fast-paced rehearsal environments there are things that you don’t get the opportunity to spend as much time on as you’d like. With VENUE, I can set up more snapshots ready for the next day, and even listen to everyone’s mix on every single song to check it’s just right for the show.
JOEL M. PETERS, ENGINEER
Media Composer’s “data management capability is the key to making a project successful, especially when you’re getting files from Europe and have to make sure everything translates.
SABRINA PLISCO, ACE, EDITOR