Identical twins Logan and Noah Miller had never produced or directed a film. Yet the 29-year-olds managed to raise money, hire a crew, and attract top-notch Hollywood talent to create Touching Home, an autobiographical film they wrote, produced, and directed.
Maybe mathematics isn't so geeky after all. Consider the enterprising Massachusetts Institute of Technology students who used their card-counting skills to play a little blackjack in Las Vegas - and win big.
Hawaii may not seem like an obvious training ground for film and television talent. Yet students at the Honolulu-based Kamehameha High School often find themselves in demand in Hollywood and beyond.
After completing a sold-out concert tour and launching a hit television show, what's a pop music phenomenon to do? If you are 15-year-old singing sensation Miley Cyrus (a.k.a., Hannah Montana) you make a move to the big screen - in 3D.
Women's Murder Club is a high-profile, new show with an impressive pedigree, including a popular lead actress (Angie Harmon), a push from a major network, and a distinctive, creative editorial stamp.
I Am Legend - an action/adventure/sci-fi drama - covers a wide range of cinematic territory. Thankfully, editor Wayne Wahrman has seen it all and cut it all before.
For Brian Schnuckel, an editor on the Nickelodeon show Just Jordan, keeping pace with the program's multi-camera action requires some high-powered post tools. Namely, two Media Composer Adrenaline v2.7 systems.
The centuries-old Anglo-Saxon poem "Beowulf" comes face-to-face with the latest motion-capture technology in director Robert Zemeckis's 3D computer-generated film Beowulf.
Rust Company, a post-production facility in New York City located just south of Wall Street, pays subtle homage to its more button-downed neighbors by relying on business savvy and smart investments to nurture its growing business.
Jason Bourne returns to unlock the secrets of his mysterious past in the latest espionage thriller in this popular film franchise. This installment promises to uncover the truth behind Bourne's dangerous and never-ending search for his own identity.
Shot on 35mm film, the film was edited in HD for its crisp, rich detail, which enabled the filmmakers to carefully craft the gritty and realistic tone they were aiming for.
What do you get with three guys, one digital camcorder, and a $200 budget? If the guys are writers/actors/producers Rob McElhenney, Charlie Day, and Glenn Howerton, you get the now legendary pilot for It's Always Sunny in Philadelphia.
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