Customer stories

CSMonkeyKing21862

Monkey King 2 Uses Avid Everywhere for International Post Production and VFX Collaboration

The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plug-ins and Pro Tools made the production very smooth.

YIN JIE, SOUND DESIGNER

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Avid Goes on an Epic Journey with Star Wars: The Force Awakens

We can collaborate super quickly not only in Media Composer using Avid shared storage, but we work in Pro Tools and use Avid shared storage for that as well.

ROBERT STAMBLER, SOUND DESIGNER

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CSWaveStudio1862

Avid Pro Tools | S6 Makes Ripples at Wave Studios

When I used the S6, I just knew it was going to do the job for us. And it’s been worth the wait — I really like the ease of operation, and the desks are very ergonomically fluid.

JOHNNIE BURN, WAVE STUDIOS OWNER & CO-FOUNDER

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Avid Powers ‘Star Citizen – Squadron 42's’ Galactic Editing

Without these features in Media Composer, I wouldn't have been able to conduct this type of editing so easily. If someone was to ask me what is the most beneficial thing they could do to get a job when starting out in the industry, I would tell them — learn Avid!

MICHAEL FREEDMAN, FILM EDITOR

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CSSpectreJamesBond1862

Avid Artist Suite helps Oscar-winning film and sound editorial teams uncover the secrets of Spectre

I’ve used Media Composer for so long now that I’m very comfortable with it and wouldn’t choose another system. With continuous and regular updates, I’m always learning new things.

JOHN LEE , ASSOCIATE EDITOR

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CSMissionImp1862

Avid Everywhere Helps Mission Impossible: Rogue Nation Achieve the Impossible

I was initially nervous about committing to such a short timeline using new equipment, but the Avid gear preformed wonderfully.

JAMES MATHER, SUPERVISING SOUND EDITOR

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