A system designed for a post-HDCAM world.
MASASHI MIZUTANI, BROADCAST OPERATIONS DIVISION, SKY PERFECT JSAT CORPORATION
Avid’s offerings give us the seamless two-way flow we need between the newsroom and crews in the field—the ability for crews in the field to access tools at the studio, for the studio to push content to crews in the field, and for crews in the field to select content and pull it to themselves.
DARREN ALLINE, CHIEF ENGINEER, WPLG
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER
I have years of experience using Avid storage, and have to say the peace of mind which comes from the reliability of their storage solutions is a huge benefit.
TIM CUNNINGHAM, POST-PRODUCTION SUPERVISOR, DOC SHOP PRODUCTIONS
Preparing material for two or three minutes of air time took several hours before the new Avid workflow; the same task now takes less than an hour.
YURI SERGACHEV, HEAD OF THE IT DEPARTMENT, SAKHA NBC