I’ve been using Pro Tools for about 18 years and it has always been effortless for me.
BOBBY HOLLAND, PRODUCER AND MIX ENGINEER
We loved the fact that [the Pro Tools | S6] can expand and quickly reconfigure to meet the requirements of different mixers. We really wanted a state-of-the-art, high-end new room for our new Atmos stage. It was a no-brainer it was going to be the S6.
MICHAEL TOJI, VICE PRESIDENT OF POST-PRODUCTION SERVICES
Collaboration really helped us with the workflow. We’re capable of doing pre-production here and putting it up in the cloud. Anybody with an idea can just plug in a microphone, plug in a guitar and just lace it in. I think it’s a game changer.
YARON FUCHS, PRODUCER & MIX ENGINEER
Pro Tools is the mothership of all digital audio workstations, because I can hear every detail, and manipulate other ingredients, like loops, and build upon that to get great ideas.
JINTAE KO, GRAMMY AWARD-WINNING SONGWRITER AND PRODUCER, DISNEY MUSIC GROUP & HOLLYWOOD RECORDS
Pro Tools for me is literally at the center of almost every aspect of creating and mixing music. And, when it comes to mixing, there is literally no other software I have ever used. Pro Tools is simply the standard.
LU DIAZ, PRODUCER, MIX ENGINEER AND MANAGER
The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.
TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER