A system designed for a post-HDCAM world.
MASASHI MIZUTANI, BROADCAST OPERATIONS DIVISION, SKY PERFECT JSAT CORPORATION
The DNxIQ is awesome because if I have a 24P project that I need to deliver at 60i, it’s just a click of a button in Avid and the DNxIQ takes care of the rest of it.
KATIE GERDON, ONLINE ASSISTANT EDITOR, TRAILBLAZER STUDIOS
The higher bandwidth of Avid NEXIS and Avid’s solid and dependable media management architecture have enabled us to overcome the challenges we were facing with 4K/UHD projects.
MATT EMBRY, PRESIDENT, SPOTLIGHT PRODUCTIONS
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER
Increasingly, speed is the most important thing. Not only are we doing lots of projects simultaneously, for many different clients, but we have to turn a lot of them very quickly.
MARK SATULOFF, PRODUCER/DIRECTOR & FOUNDER, SCRATCH MEDIA
From the word go, we’ve always relied on Avid and the MediaCentral Platform to provide us with the very best post workflow solutions. We have a solid relationship with Avid and their constant development of products and tools gives us the very best brand security. Their extensive support network also sets them apart from other providers.
JAI CAVE, HEAD OF OPERATIONS