Media Composer’s versatility allows me to give a visual representation to the producers and director of what the finished movie will be like.
WILLIAM GOLDENBERG, EDITOR
Media Composer is vital when I edit drama. On ‘His Last Vow,’ there were many challenges and some particularly complex sequences. As an editor, working on Sherlock expanded my palette.
YAN MILES, EDITOR, SHERLOCK
[Pro Tools] smooths up my mixing process a lot when I have a good grip on what the editor has in mind... [it's] amazingly robust... [and] steady as a rock.
JEFF FULLER, SOUND MIXER, FOO FIGHTERS: SONIC HIGHWAYS
The biggest challenge on Fury was time—or a lack of it… Production would often throw us a curve ball and, thanks to Avid, we knew we could always handle it. That gave us all real peace of mind.
DODY DORN, EMMY AND ACADEMY AWARD-NOMINATED EDITOR, FURY