Making the move from reality television to scripted film was initially a concern for editor Jason Stewart. To his surprise, he found that cutting reality shows was actually the perfect background for editing indies.
First assistant editor Sean Valla has worked on all three Spider-Man films and believes the latest film in the series to be the most complex one yet.
Producer/director J.J. Abrams has gone back to the future of the Star Trek franchise with a fresh new take on the classic sci-fi adventure.
As many as five editors worked for more than a year in post, developing the multiple storylines, numerous visual and sound effects, and non-stop action-adventure for this summer blockbuster. A tapeless HD workflow helped keep the post workflow on track.
Going the Distance with High-Speed Editing.
Deep, Intense, and IMAX Friendly.
Editor Elliot Graham keeps up with his director on the go without sacrificing quality by cutting on his laptop in HD.
Matt Chesse and Richard Pearson describe their enthusiasm about editing the latest film in the popular 007 franchise.
There is something singularly recognizable about the soundtrack of a 007 film. Quantum of Solace may be breaking that mold.
Glenn Freemantle, supervising sound editor and sound designer, set out to portray the burgeoning vitality and paradoxical charm that is modern day India.