With live music productions becoming increasingly demanding and complex, modern facilities simply have to be able to meet the needs of today’s generation of artists and performers. Avid’s solutions have enabled us to do just that, providing a level of flexibility, performance, and control that we have never enjoyed before.
JAUME FERNANDEZ, AUDIO MANAGER AT RAZZMATAZZ
Sobald ich den ersten Kick-Drum-Schlag und die erste Snare und den Gesang durch ein S6L über eine PA gehört habe, an der ich schon eine Weile gearbeitet hatte, konnte ich sofort den Unterschied hören. Ich war einfach so glücklich – ich kann es gar nicht in Worte fassen!
HARLEY ZINKER, FRONT-OF-HOUSE-INGENIEUR, INTERPOL, YOUNG THE GIANT, YEAH YEAH YEAHS
I have used pretty much every large-format console out there, and this is the best console I've ever used, hands down.
KEVIN HARVEY, HEAD AUDIO ENGINEER, MYRON'S CABARET JAZZ
Sound engineers are often required to spend a lot of time dealing with technology when their job is actually to focus on the music and create the best sound possible for the audiences. With the Avid systems you only have to worry about how things sound!
GARETH OWEN, SOUND DESIGNER
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
I came back to some of the front house guys who had been a little nervous about it at first, and they were all super stoked after it was over. We had some great mixes.
BRENT BERNHARD, AUDIO DEPARTMENT MANAGER, TECHNOTRIX