El programa Avid Media Campus nos permitirá planificar dónde estaremos en los próximos cinco años. El compromiso de Avid con los modelos de licencias de hardware y software, con el soporte y con la formación nos permite establecer una vía de actualización.
ADRIAN KLYMENKO, ESPECIALISTA SÉNIOR EN MEDIOS Y REPRESENTANTE DE SOPORTE CERTIFICADO POR AVID (ACSR)
Working on shared storage for editing, grading and finishing has completely changed our workflow. Before we were very limited by the local storage, but now we’re able to access the storage from workstations all over the school. This flexibility, combined with the speed and reliability of the technology, has transformed the editing process for our students.
PETER POSGAARD, TECHNICAL MANAGER AT THE NATIONAL FILM SCHOOL OF DENMARK
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION