One of the primary reasons we are almost completely Avid now is because that is exactly what our industry has been telling us we should be doing.

TONY SIMONS, MANAGER, NEW ZEALAND BROADCASTING SCHOOL

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Working on shared storage for editing, grading and finishing has completely changed our workflow. Before we were very limited by the local storage, but now we’re able to access the storage from workstations all over the school. This flexibility, combined with the speed and reliability of the technology, has transformed the editing process for our students.

PETER POSGAARD, TECHNICAL MANAGER AT THE NATIONAL FILM SCHOOL OF DENMARK

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Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.

SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS

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Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.

JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION

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Avid has made Media Composer so affordable for the high school level that it made sense to get this wonderful tool in the hands of our next storytellers. I wanted to be sure they had the best tool that would set them up for success.

SARA HILLS, VIDEO PRODUCTION INSTRUCTOR, CLAREMONT HIGH SCHOOL

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Nuestros estudiantes se gradúan con el conocimiento necesario para usar cómodamente el hardware y el software Avid más actualizado que podrían encontrar en los estudios.

JAMIE DONNELLY, TÉCNICO Y PROFESOR EN FORMACIÓN DEL GRADO (CON HONORES) EN TECNOLOGÍA MUSICAL

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