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Your complete audio workstation
Create music
Build songs with MIDI tools, virtual instruments, samples, and flexible arrangement features made for modern music production.
Learn moreRecord the perfect performance
Record vocals, instruments, or dialogue without slowing down the session. Keep every take organized in playlists, then comp the best moments into one polished track.
Learn moreEdit and refine takes
Cut, trim, fade, and balance levels directly on the clip with context-aware tools that adapt to your task, so you can refine takes before ever hitting the mixer.
Learn moreMix for any format
Shape massive sessions with the industry’s most advanced automation, flexible routing, and powerful plugins. From stereo to immersive Dolby Atmos®, create audio for any playback environment.
Learn moreWorkflows for every project
Pro Tools can handle any session. From music to post, do it all at a high level.
Program drums, sequence synths, and take your beat from loop to final mix.
FEATURES FOR EVERY SESSION
Track massive sessions
Capture large ensembles, bands, or complex productions with up to 256 simultaneous audio inputs.
Loop recording
Repeat a section as many times as needed to capture alternate takes without breaking the session flow.
Playlist comping
Build the strongest performance by quickly combining the best moments from multiple takes into one seamless track.
Punch-in accuracy
Record over a selected section of a take to easily fix mistakes, while keeping the rest of the performance in place.
Behind today’s music and media
Stuart White
Mix engineer (Beyoncé, jay-z, fka twigs)
“At this point, Pro Tools is part of my creative self. It’s my tools, it’s my paint brushes, it’s my paints.”
Louis Bell
music producer (Miley Cyrus, Justin Bieber)
“Pro Tools is my foundation for everything. It’s where I cut vocals, it’s how I make beats, how I come up with ideas...everything lives within that environment.”
Mixing sound effects for F1® The Movie
Juan peralta
See how Skywalker Sound used input from Lewis Hamilton to build a visceral, millisecond-accurate F1 theater mix.
Mixing dialogue & music for F1® The Movie
Gary Rizzo, CAS
See how Oscar® winner Gary Rizzo designed custom radio profiles to make dialogue cut through 1,000-horsepower engine noise.
Producing the music for Wicked
Greg Wells
"I really can't think of any other way to get this job done than in a piece of software like Pro Tools. It can handle whatever you throw at it. There were so many tracks..."
Mixing the sound of Wicked
Andy Nelson
Go behind the console with Andy Nelson to see how he balances soaring musical numbers with quiet, intimate dialogue in Dolby Atmos.
Level up your sound
Capture and mix your sound at the highest quality
Bring pristine 32-bit float resolution, headroom, and clarity to every project.
1. Grammy® is a trademark of The National Academy of Recording Arts & Sciences, Inc.
2. Dolby is a registered trademark of Dolby Laboratories.
2. Dolby is a registered trademark of Dolby Laboratories.