Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
In choosing Pro Tools | MTRX, we knew we were getting not only cutting edge tech, but also a familiarity and reliability that we have come to count on.
WILLIAM GARRET, CHIEF ENGINEER
For many years, you would have separate boxes. You’d have a clock, you’d have an A to D converter, you’d have mic pre and then you’d go into an A to D converter, go to the conversion, and then D to A. MTRX puts it all in one box. It captures all the latest technologies and it’s pretty terrific.
FRANK FILIPETTI, SEVEN-TIME GRAMMY® AWARD WINNING PRODUCER, ENGINEER, AND MIXER
Immersive audio projects require engineers to deal with higher channel counts and more complex mixing sessions, so the Pro Tools | S6 control surface is perfect. Thanks to our new Pro Tools solutions, we can offer more intuitive, efficient and flexible workflows than ever before.
MICHAEL THUMM, SOUND ENGINEER AND CEO, BAUER STUDIOS LUDWIGSBURG