Customer Stories

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Coldplay: Rik Simpson Turns to Avid to Produce and Mix Grammy Award-winning Music

I’m currently doing a Pro Tools 5.1 mix of a Coldplay stadium show in Chicago and there’s no other software that I could be doing this in as fluidly and efficiently.

RIK SIMPSON, GRAMMY AWARD-WINNING PRODUCER, ENGINEER AND MIXER

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Avid Solutions Give Monkeyland Audio Unparalleled Production Facilities

We loved the fact that [the Pro Tools | S6] can expand and quickly reconfigure to meet the requirements of different mixers. We really wanted a state-of-the-art, high-end new room for our new Atmos stage. It was a no-brainer it was going to be the S6.

MICHAEL TOJI, VICE PRESIDENT OF POST-PRODUCTION SERVICES

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Media Composer Powers the Jam-Packed Paddington 2 Adventure

The timeline on a Paddington movie is colossal and Media Composer handled that with ease. With over 20 layers of audio, and a similar amount of video, it’s easy to take for granted how complicated that can be. Avid not only supported the entire operation, but also enabled us to have playback in a high resolution.

MARK EVERSON, EDITOR

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Pro Tools Brings Immersive Sound to Bauer Studios Ludwigsburg

Immersive audio projects require engineers to deal with higher channel counts and more complex mixing sessions, so the Pro Tools | S6 control surface is perfect. Thanks to our new Pro Tools solutions, we can offer more intuitive, efficient and flexible workflows than ever before.

MICHAEL THUMM, SOUND ENGINEER AND CEO, BAUER STUDIOS LUDWIGSBURG

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Motion Path: Advancing real-time 3D graphics

We consider ourselves an Avid-centered company because everything we do is around Avid technology. Avid’s solutions give us everything we need so that we’re not limited creatively.

ANTON MAXIMOVSKY, PRESIDENT AND CEO OF MOTION PATH

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Miami’s WPLG Gets a News Workflow Makeover with New Collaboration and Virtualization

Avid’s offerings give us the seamless two-way flow we need between the newsroom and crews in the field—the ability for crews in the field to access tools at the studio, for the studio to push content to crews in the field, and for crews in the field to select content and pull it to themselves.

DARREN ALLINE, CHIEF ENGINEER, WPLG

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