Customer stories

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Pinewood Studios obtient le summum de la flexibilité grâce à Avid S6

There are a lot of ergonomic features for S6 that benefit re-recording mixers. That in combination with the PEC/DIRECT metering—which is an essential part of S6—and retaining the fantastic integration with Pro Tools is what makes it attractive to us. It’s just excellent.

ALEX SYMEONIDES, JUNIOR RE-RECORDING MIXER, PINEWOOD STUDIOS

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Blame Game EXP feat. Harry Shotta in Dolby Atmos

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Monte Casino: Our Journey to Dolby Atmos

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Jonathan Wales using Pro Tools | HDX with the Hybrid Engine

Jonathan Wales, ingénieur du son de mixage, nous explique en détail pourquoi le nouveau moteur hybride pour HDX est « époustouflant »

Les changements massifs apportés à HDX lui donnent un second souffle.

JONATHAN WALES, INGÉNIEUR DU SON DE MIXAGE (GET OUT, MEMENTO)

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edit bay at Saya Post Production

Saya: A Unique Setting for Artisans in Post Production

The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.

PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION

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Image of Dolby Atmos and Pro Tools workstation in front of large theatre screen

The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio

In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.

DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC

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