Nothing else beats the price point or the performance of Avid NEXIS.
PAUL HOLDEN, DIRECTOR OF TECHNOLOGY, HIGH NOON ENTERTAINMENT
Avid solutions streamline post production by providing the complete spectrum of workflow capabilities, seamlessly integrated into one simple solution. With Avid-developed creative editorial tools, shared storage, and asset management, Avid with MediaCentral provides the performance, security, and functionality that only a truly integrated workflow can deliver. Whether you’re making movies, TV shows, or commercials, you'll find a solution that's perfect for every situation, need, and budget.
Avid solutions can be tailored to handle everything from independent documentaries and web series to big-budget Hollywood films.
MediaCentral for Post makes the process of collaboration between all creative team members more efficient, allowing them to turn around their best work faster than ever.
Assurance qualité basée sur fichier et outils d'assistance pour les mots prononcés
Systèmes et options pour organiser, suivre et optimiser la valeur de vos fichiers multimédia
Appareils pour un parfait contrôle des logiciels et systèmes audio et vidéo
Systèmes de stockage partagés et intermédiaires éprouvés pour workflows audio et vidéo
Logiciels et matériels professionnels pour le montage vidéo
Whitepaper: The Power of Virtualization
Virtualization can be deployed in post-production, too
Whitepaper: Software-Defined Storage
Delve into how software-defined storage drastically improves workflows
Whitepaper: Avid High-Resolution Workflows
Tackle the challenges of integrating 4K and UHDTV into existing workflows
Avid Video Customer Playlist
Hear from our preeminent client community on this curated video playlist
Featured Blog Article
Get started fast with Media Composer for Adobe Editors
Video Post Production Blogs
See the latest case studies and tutorials on our blogs
Create better content faster, deliver to more outlets and devices, and maximize your media's value
Every story is unique, and editors are able to drive a story in different ways through timing and shot selection, but the truth must come through.
PHIL BOWMAN, EDITOR, SEE NO EVIL (ARROW MEDIA)
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
Jonathan Wales, chief executive/re-recording mixer, Satellite Post Production