Avid Congratulates Its Primetime Emmy Award Winning and Nominated Customers
Burlington, MA, 2014/08/21
Avid Everywhere enables the creation of the highest-quality, creatively inspiring programs recognized by the National Academy of Television Arts & Sciences
Avid® (OTC: AVID) congratulates its customers on their awards and nominations at the prestigious Primetime Creative Arts Emmy® Awards, presented by the National Academy of Television Arts & Sciences (NATAS) as part of the 66th Annual Primetime Emmy Awards on August 16 in Los Angeles. The awards are dedicated to honoring the behind-the-scenes crafts essential to television production.
Among the productions securing nominations and wins at the Primetime Emmy Awards wereBreaking Bad, Downton Abbey, Sherlock: His Last Vow, Modern Family, The 56th Grammy Awards,and The Oscars. These programs were created by Avid customers who are benefiting from the Avid Everywhere™ vision and rely on Avid Artist Suite audio and video applications powered by the Avid MediaCentral Platform to bring their creative visions to life.
Avid is proud to support its customers’ creative contributions to programs including:
-
Sherlock: His Last Vow
-
Doug Sinclair, Paul McFadden, and Howard Bargoff, won the award for Outstanding Sound Editing for a Miniseries, Movie or a Special and were nominated for Outstanding Sound Mixing for a Miniseries or a Movie.
-
David Arnold and Michael Price won the award for Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score).
-
-
Downton Abbey
-
Nigel Heath and Alex Fieldingwere nominated for Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
-
-
Breaking Bad
-
The Breaking Bad editing team, which this season consisted of four editors– Kelley Dixon, Skip MacDonald, Chris McCaleb, and Sharidan Williams-Sotelo– received three nominations for Outstanding Single-Camera Picture Editing for a Drama Series.
-
The sound team for Sherlock, His Last Vow relied on Pro Tools® | HDX to edit and mix the series."Every Emmy-nominated drama is complex and demanding, requiring collaboration, international teamwork and flexible workflows in audio post,” said McFadden. “Sherlock is no different. Realistically, I can't imagine us being able to deliver the show to this high standard, on time and on budget, any other way than by using Pro Tools | HDX."
The music for Sherlock, His Last Vow was created using Avid Sibelius® music notation software and Pro Tools | Software.“Sibelius is essential; without it we just couldn’t create orchestral scores for film and television,” added Arnold. “There are always so many last-minute changes and Sibelius just handles everything.”
Downton Abbeywas mixed at BAFTA Award-winning audio post facility Hackenbacker, now part of the HALO Group. Since merging, HALO has upgraded all its Avid Pro Tools | Software rigs across both companies to Pro Tools | HDX.“The new Pro Tools | HDX systems are particularly important for our new mixing suites,” said John Rogerson, chief executive of the HALO Group. “The processing power makes it so quick, freeing up more time to try out creative ideas.”
The Breaking Bad editing team relied on the industry’s foremost editing solution, Avid Media Composer® | Software, to edit the hit series. “Editing Breaking Bad – where the story took quick turns through searing drama, black comedy, and thrilling action, sometimes all in the same scene – required the ability to try new things constantly to see what worked best,” said Dixon on behalf of the Breaking Bad editing team. “Avid Media Composer is so robust, dynamic and flexible, it put that freedom to experiment right at our fingertips – at practically the speed of thought! It’s an absolutely invaluable tool for us.”
In addition to their three editing nominations at this year’s Emmy Awards, Breaking Bad editors have already won an Emmy and three ACE Awards, and received five previous Emmy nominations and 11 ACE nominations.
“As a company that’s passionate about world-class content creation, we’re honored that so many of the television industry’s most talented artists rely on AvidEverywhere to bring their creative visions to life, and we congratulate them on these accolades,” said Jennifer Smith, senior vice president and chief marketing officer, Avid. “Their work inspires our never-ending commitment to helping creative professionals push the limits of their vision and work in ever more powerful, efficient, and collaborative ways.”
Emmy Award winners and nominees used Avid Artist Suite audio and video solutions for productions including:
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
-
Breaking Bad • Tohajillee (AMC • Sony Pictures Television)
Kelley Dixon, A.C.E, Edited by -
Breaking Bad • Felina(AMC • Sony Pictures Television)
Skip MacDonald, A.C.E., Edited by -
Breaking Bad • Granite State (AMC • Sony Pictures Television)
Kelley Dixon, A.C.E., Edited by
Chris McCaleb, Edited by
OUTSTANDING MUSIC COMPOSITION FOR A MINISERIES, MOVIE OR A SPECIAL (ORIGINAL DRAMATIC SCORE)
-
Sherlock: His Last Vow (Masterpiece) (PBS • Hartswood West for BBC/Cymru Wales in co-production with Masterpiece) - WINNER
David Arnold, Music by
Michael Price, Music by
OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
-
COSMOS: A SpaceTime Odyssey • Standing Up In The Milky Way (FOX/NatGeo • Fuzzy Door Productions and Cosmos Studios, Inc. in association with FOX Broadcasting Company and National Geographic Channel) - WINNER
Alan Silvestri, Music by
OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC
-
COSMOS: A SpaceTime Odyssey (FOX/NatGeo • Fuzzy Door Productions and Cosmos Studios, Inc. in association with FOX Broadcasting Company and National Geographic Channel) - WINNER
Alan Silvestri, Theme by
OUTSTANDING SOUND EDITING FOR A SERIES
-
Black Sails • I. (Starz • Platinum Dunes and Quaker Moving Pictures in association with Starz Originals) - WINNER
Benjamin Cook, Supervising Sound Editor
Iain Eyre, Sound Editor
Sue Cahill, Sound Editor
Jeffrey A. Pitts, Sound Editor
Tim Tuchrello, Sound Editor
Brett Voss, Sound Editor
Michael Baber, Music Editor
Jeffrey Wilhoit, Foley Artist
James "Jimmy" Moriana, Foley Artist
OUTSTANDING SOUND EDITING FOR A MINISERIES, MOVIE OR A SPECIAL
-
Sherlock: His Last Vow (Masterpiece) (PBS • Hartswood West for BBC/Cymru Wales in co-production with Masterpiece) - WINNER
Doug Sinclair, Supervising Sound Editor
Stuart McCowan, Sound Editor
Jon Joyce, Sound Editor
Paul McFadden, Sound Editor
Sue Harding, Foley Artist
OUTSTANDING SOUND EDITING FOR NONFICTION PROGRAMMING (SINGLE OR MULTI-CAMERA)
-
COSMOS: A SpaceTime Odyssey • Standing Up In The Milky Way (FOX/NatGeo • Fuzzy Door Productions and Cosmos Studios, Inc. in association with FOX Broadcasting Company and National Geographic Channel) - WINNER
Christopher Harvengt, Supervising Sound Editor
Richard S. Steele, Sound Designer
Kevin Meltcher, Sound Editor
Jeff Carson, Music Editor
Bob Costanza, Sound Effects Editor
Lisa Varetakis, Dialogue / ADR Editor
Bill Bell, Foley Supervisor / Sound Editor
Tim Chilton, Foley Artist
Jill Sanders, Foley Artist
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
-
Downton Abbey • Episode 8 (PBS • A Carnival Films/Masterpiece Co-Production in association with NBC Universal)
Alistair Crocker, Sound Mixer
Nigel Heath, Re-Recording Mixer
Alex Fielding, Re-Recording Mixer
OUTSTANDING SOUND MIXING FOR A MINISERIES OR A MOVIE
-
Sherlock: His Last Vow (Masterpiece) (PBS • Hartswood West for BBC/Cymru Wales in co-production with Masterpiece)
John Mooney, Sound Mixer
Howard Bargroff, Re-Recording Mixer
Doug Sinclair, ADR Mixer
Peter Gleaves, ADR Mixer
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
-
Modern Family • The Wedding, Part 1 (ABC • Picador Productions and Steven Levitan Productions in association with 20th Century Fox Television)
Stephen A. Tibbo, Production Mixer
Dean Okrand, Re-Recording Mixer
Brian R. Harman, Re-Recording Mixer
OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
-
The Beatles: The Night That Changed America (CBS • AEG Ehrlich Ventures, LLC)
Larry Reed, Production Mixer
Tom Holmes, Production Mixer
Al Schmitt, Music Mixer
Giles Martin, Music Mixer
Josh Morton, Re-Recording Mixer -
The 56th Grammy Awards (CBS • AEG Ehrlich Ventures, LLC) - WINNER
Tom Holmes, Broadcast Production Mixer
Eric Johnston, Playback Mixer
John Harris, Broadcast Music Mixer
Eric Schilling, Broadcast Music Mixer
Mikael Stewart, House Production Mixer
Ron Reaves, House Music Mixer
Tom Pesa, Stage Mixer
Michael Parker, Stage Mixer
Pablo Munguia, Playback Mixer
Paul Sandweiss, Package Mixer
Bob LaMasney, Sweetening Mixer -
The Oscars (ABC • Academy of Motion Picture Arts and Sciences)
Paul Sandweiss, Production Mixer
Tommy Vicari, Orchestra Mixer
Biff Dawes, Music Mixer
Pablo Munguia, Protools Mixer
Kristian Pedregon, Post Production Mixer
Patrick Baltzell, FOH Mixer
Michael Parker, Monitor Mixer
Bob LaMasney, Sweetening Mixer
OUTSTANDING SOUND MIXING FOR NONFICTION PROGRAMMING
-
COSMOS: A SpaceTime Odyssey • Standing Up In The Milky Way (FOX/NatGeo • Fuzzy Door Productions and Cosmos Studios, Inc. in association with FOX Broadcasting Company and National Geographic Channel)
Mark Hensley, Re-Recording Mixer
Joel Catalan, Re-Recording Mixer
Paul Arnoff, ADR Mixer
David Torres, Foley Mixer -
Deadliest Catch • Careful What You Wish For(Discovery Channel • Original Productions, LLC, a FremantleMedia Company for the Discovery Channel)
Bob Bronow, C.A.S., Re-Recording Mixer
Avidは、コンテンツ制作と、コラボレーション、アセット保護、配信、利用を結びつける最もオープンで効率的なメディアプラットフォームを提供します。Avidの傑出したカスタマー・コミュニティは、Avidの包括的なツールおよびワークフロー・ソリューションを使い、栄えある賞に輝く映画作品、人気の高いテレビ番組、ニュース番組、スポーツイベントのテレビ放送から、ミュージックレコーディング、ライブ・コンサートツアーにいたるまで、世界中が観て、聴いて、愛するメディアを制作、配信、収益化します。最も柔軟な運用と価格オプションを提供するAvidの業界トップソリューションには、Media Composer®、Pro Tools®、Avid NEXIS®、MediaCentral®、iNEWS®、AirSpeed®、Sibelius®、Avid VENUE™、FastServe®、Maestro™などがあります。
アビッド テクノロジー株式会社は米国Avid Technology の100%日本法人です。 www.avid.com/ja/
Avidのソリューションおよびサービスについて、詳しくは www.avid.comwww.avid.com、Facebook、Instagram、Twitter、YouTube、LinkedInでAvidに アクセスするか、Avid Blogsをご覧ください。
© 2021 Avid Technology, Inc. All rights reserved.無断転載・複写を禁じます。 Avid、Avidロゴ、Avid NEXIS、FastServe、AirSpeed、iNEWS、Maestro、MediaCentral、Media Composer、Pro Tools、Avid VENUE、Sibeliusは米国あるいはその他の国におけるAvid Technology, Inc またはその子会社の商標または登録商標です。その他の商標はすべて、各所有者に帰属します。製品の機能、仕様、システム要件、および販売形態は、予告なく変更されることがあります。