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Pinewood Studios は Avid S6 で究極の柔軟性を実現

There are a lot of ergonomic features for S6 that benefit re-recording mixers. That in combination with the PEC/DIRECT metering—which is an essential part of S6—and retaining the fantastic integration with Pro Tools is what makes it attractive to us. It’s just excellent.

ALEX SYMEONIDES, JUNIOR RE-RECORDING MIXER, PINEWOOD STUDIOS

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Jonathan Wales using Pro Tools | HDX with the Hybrid Engine

リレコーディング ミキサーのジョナサン・ウェールズ氏による、HDX 用ハイブリッド エンジンの「革新性」に関する考察

HDX は生まれ変わり、大幅に改善されました。

ジョナサン・ウェールズ氏、リレコーディング ミキサー (『ゲット・アウト』、『メメント』)

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edit bay at Saya Post Production

Saya: A Unique Setting for Artisans in Post Production

The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.

PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION

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Image of Dolby Atmos and Pro Tools workstation in front of large theatre screen

The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio

In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.

DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC

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JALC Hero-min

Mixing Jazz at Lincoln Center Broadcasts for SiriusXM

The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!

ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER

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フルセイル大学が、Avidオーディオ / ビデオ編集ツールをカリキュラムに導入

映画を学ぶ学生はAvid Media ComposerとSymphonyでプロジェクトを編集し、Pro Toolsで作業する学生は、ダイアログ、効果音、音楽などのサウンドの編集とミキシングを行います。そして、全てがダビングステージに集約されます。

INDUSTRY RELATIONS ディレクター スコット・ダンズビー

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