Customer Stories

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Paul & Ede Bell Crowder: The Media Composer Family

Ede is far, far better than me at this job, she has an affinity for the art, as a filmmaker, and as a serious filmmaker. The short films she has already made to date are incredible and I can’t wait to see the new one she does. She really is a natural.

PAUL CROWDER, ACE, EDITOR, DOGTOWN AND Z-BOYS, RIDING GIANTS, SOUND CITY

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Mad Old Nut Delivers Content 5x Faster and At Lower Cost with Avid Shared Storage

The Avid NEXIS SSD is a game changer for us. It really opens up possibilities for us because it takes a fraction of the time to render with its network speed and data rate.

TODD ULMAN, FOUNDER, CHAIRMAN, CEO, AND CREATIVE FORCE BEHIND MAD OLD NUT PRODUCTIONS

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Harry B. Miller III, ACE: On the Evolution of Storytelling

Shane Black’s sensibility is very rapid-fire. He feels the rhythm of the story, and can’t abide it feeling slow, so the cutting is like that, with hardly any setup in the action scenes. It makes an enjoyable ride.

HARRY B. MILLER III, ACE, EDITOR, THE PREDATOR

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Interview with Ryan Axe—Part One: The Adventure Begins

The main advantage Avid has over the competition is the ease of working in a shared environment with a team of assistants and editors. That is essential in a fast paced environment.

RYAN AXE, ASSISTANT EDITOR, MISSION: IMPOSSIBLE - FALLOUT

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Interview with Ryan Axe—Part Two: The Role of the Assistant Editor

The assistants are there so the editor can focus fully on creative decisions. Any chance we get to be creative will be dependent on the editor asking for something, like temp VFX or sound design.

RYAN AXE, ASSISTENT EDITOR, MISSION: IMPOSSIBLE - FALLOUT

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Interview with Ryan Axe—Part Three: Working with Leading Editors

It’s the whole reason I wanted to become an assistant editor in the first place. So that I could work with world class editors and learn from them.

RYAN AXE, ASSISTANT EDITOR, MISSION: IMPOSSIBLE - FALLOUT

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