Phoenix II


Designed to emulate the unique properties of a magnetic tape machine

The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves. Phoenix II has five different tape-analog characteristics. The type is selected with a switch for easy comparison between the types and the brightness is also selected with a switch. Gold is the position where the color is approximately flat in frequency response, with Sapphire being brighter, and Opal being a warmer tonality. A level control determines the amount of Phoenix II that is integrated into the audio signal and an input trim determines "how hard you hit the tape." Because the DSP process is level dependent the input level trim control has been improved and an output trim control has been added.

The input trim can also be used to prevent clipping in the rare cases where clipping may be a problem and bringing up the level of a track for an increased amount of color. This can be useful on material that is hitting close to or at digital zero and on material that has a low recorded level. When the input trim and output trim controls are at 0 dB, (no change in gain) and no tape process is being added to the sound, the plugin is bit accurate, meaning the output exactly matches the input.

Phoenix II runs both NATIVE and DSP on Avid’s Pro Tools 10 AAX format. Phoenix II uses 32-bit floating point math and has a lower noise floor than the original release.


  • Luminescent
    The most neutral sounding process of the five separate flavors
  • Iridescent

    Similar magnetic character to Luminescent, but with a fatter bottom and midrange—this plugin is the most similar to the tape knob on HEDD-192

  • Radiant
    Characterized by a more aggressive compression curve
  • Dark Essence
    Even more aggressive; the effect is a color with a wider frequency range—when used on a vocal, Dark Essence can reduce sibilance problems by increasing the apparent loudness of the rest of the signal)
  • Luster
    Starts more gently than the other four processes, but becomes as aggressive as Dark Essence when the process is at full scale

System requirements

Windows Windows 7 and later
Mac Mac OS 10.7.x and later
Pro Tools Pro Tools 10.x and later
Max Sample Rate 192 kHz
Copy Protection Requires iLok


AAX Native

This product is tested by the Seller for support of current versions of the indicated Avid products and operating systems. For compatibility questions related to older systems, please contact the Seller.