I do most of the EQing using the VENUE’s built-in EQ, which I love, and the built-in compressors on keyboards.
RICK CAMP, FRONT OF HOUSE ENGINEER, J.LO
When we’re doing a playback with Virtual Soundcheck, that timecode can re-create pretty much the whole show—all the consoles, music, lights, video, everything. The moment I press play in Pro Tools, everything else follows.
JAVIER ALCARAZ, PRODUCTION MANAGER AND MONITOR ENGINEER, SELENA GOMEZ
The Profile was the right pick, because it is such a flexible platform for this type of show, and it was, by far, the most requested item on bands’ technical specifications.
IAN NELSON, SENIOR ENGINEER, ADLIB AUDIO
I depend on a lot of the features and on the integration with Pro Tools, but I really don’t even think about it anymore. It’s become second nature to me.
CHRIS MADDEN, FOH ENGINEER, SADE