Avid provides the infrastructure where we can have teams working very closely together, or we can have people work on an individual basis with the ability to pass content onto the next creative very seamlessly.
KIM PRATT, VICE PRESIDENT OF TECHNOLOGY
The concept of being able to utilize shared storage virtually anywhere we find a talented editor who needs to work from wherever they are located is very exciting. We know we’re going in a great direction and Avid is a huge, huge part of the confidence we have in these decisions.
ERIC TOWLER, VICE PRESIDENT OF POST PRODUCTION, IPC
Working on shared storage for editing, grading and finishing has completely changed our workflow. Before we were very limited by the local storage, but now we’re able to access the storage from workstations all over the school. This flexibility, combined with the speed and reliability of the technology, has transformed the editing process for our students.
PETER POSGAARD, TECHNICAL MANAGER AT THE NATIONAL FILM SCHOOL OF DENMARK
The Maestro | Virtual Set is used in both news and program production for both recording and live broadcasting, allowing us to replicate real-world scenes within the studio.
MR. CHATREE SEANGSUK, CHIEF OF STUDIO 2
We’ve done a lot more high-res work this year. I’ve directed multiple shoots with anamorphic lenses and added higher-end drone footage, all shot at UltraHD or higher. What I love about Avid is whatever is in my mind’s eye, I can create inside Avid.
PAT STAGE, PANTHERVISION MANAGER OF PRODUCTION
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS