Customer Stories

Avid VENUE | S6L-48D system in the Soundon OB truck

Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions

As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D

TIMO VIRTANEN, SOUNDON

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Image of Dolby Atmos and Pro Tools workstation in front of large theatre screen

The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio

In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.

DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC

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Bokante making music through collaboration with Pro Tools

Collaborating Across Continents to Create Bokanté’s What Heat Album

From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.

MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN

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CS-UrbanRythemFactory_1862x1040

South Africa’s Urban Rhythm Factory Is the Continent’s First to Implement Pro Tools | MTRX

All URF studios are now completely cross compatible from session to session, which increases efficiency, productivity and quality for us as a business, which were some of most important factors we considered.

THEUNS DU TOIT, HEAD OF URBAN RHYTHM FACTORY

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Omar Hakim recording with Pro Tools music making software

Omar Hakim & Frank Filipetti: The High Standard of Audio Recording

For many years, you would have separate boxes. You’d have a clock, you’d have an A to D converter, you’d have mic pre and then you’d go into an A to D converter, go to the conversion, and then D to A. MTRX puts it all in one box. It captures all the latest technologies and it’s pretty terrific.

FRANK FILIPETTI, SEVEN-TIME GRAMMY® AWARD WINNING PRODUCER, ENGINEER, AND MIXER

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CSMonkeyKing21862

Monkey King 2 Uses Avid Editing Software for International Post Production and VFX Collaboration

The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plugins and Pro Tools made the production very smooth.

YIN JIE, SOUND DESIGNER

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