Customer Stories

Jonathan Wales using Pro Tools | HDX with the Hybrid Engine

Re-Recording Mixer Jonathan Wales Dives Deep into Why the New Hybrid Engine for HDX Is “Mind-Blowing”

HDX has been completely reinvigorated, which is massive.

JONATHAN WALES, RE-RECORDING MIXER (GET OUT, MEMENTO)

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edit bay at Saya Post Production

Saya: A Unique Setting for Artisans in Post Production

The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.

PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION

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Image of Dolby Atmos and Pro Tools workstation in front of large theatre screen

The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio

In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.

DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC

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JALC Hero-min

Mixing Jazz at Lincoln Center Broadcasts for SiriusXM

The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!

ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER

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CS_FullSailU

Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum

Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.

SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS

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Avid_PPPM_S6_Cyril-1862x1040

Perfect Harmony: Avid S6 and Avid NEXIS Lead Polyson Into the Future

For us, Pro Tools and its entire family of solutions have enabled us to unite all soundtrack workflows of any motion picture in one single environment. It’s tremendously powerful and a real revolution.

NICOLAS NAEGELEN, MANAGER, POLYSON

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