The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!
ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER
Mixing Jazz at Lincoln Center Broadcasts for SiriusXM
Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
Perfect Harmony: Avid S6 and Avid NEXIS Lead Polyson Into the Future
For us, Pro Tools and its entire family of solutions have enabled us to unite all soundtrack workflows of any motion picture in one single environment. It’s tremendously powerful and a real revolution.
NICOLAS NAEGELEN, MANAGER, POLYSON
Avid Solutions Give Monkeyland Audio Unparalleled Production Facilities
We loved the fact that [the Pro Tools | S6] can expand and quickly reconfigure to meet the requirements of different mixers. We really wanted a state-of-the-art, high-end new room for our new Atmos stage. It was a no-brainer it was going to be the S6.
MICHAEL TOJI, VICE PRESIDENT OF POST-PRODUCTION SERVICES
Gorilla: Setting the Pace in Post-Production in the UK
Since merging our Pro Tools systems with the powerful NEXIS storage, our picture and audio editorial teams are working in ultimate real-time. The compatibility benefits everyone, and production processes are much more unified, simplified, and a lot quicker.
RHODRI JAMES, TECHNOLOGY DIRECTOR
Yaron Fuchs and the Process of Collaboration
Collaboration really helped us with the workflow. We’re capable of doing pre-production here and putting it up in the cloud. Anybody with an idea can just plug in a microphone, plug in a guitar and just lace it in. I think it’s a game changer.
YARON FUCHS, PRODUCER & MIX ENGINEER