In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!
ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
For us, Pro Tools and its entire family of solutions have enabled us to unite all soundtrack workflows of any motion picture in one single environment. It’s tremendously powerful and a real revolution.
NICOLAS NAEGELEN, MANAGER, POLYSON
We loved the fact that [the Pro Tools | S6] can expand and quickly reconfigure to meet the requirements of different mixers. We really wanted a state-of-the-art, high-end new room for our new Atmos stage. It was a no-brainer it was going to be the S6.
MICHAEL TOJI, VICE PRESIDENT OF POST-PRODUCTION SERVICES
Since merging our Pro Tools systems with the powerful NEXIS storage, our picture and audio editorial teams are working in ultimate real-time. The compatibility benefits everyone, and production processes are much more unified, simplified, and a lot quicker.
RHODRI JAMES, TECHNOLOGY DIRECTOR