Customer Stories

CSMissionImp1862

Avid Everywhere Helps Mission Impossible: Rogue Nation Achieve the Impossible

I was initially nervous about committing to such a short timeline using new equipment, but the Avid gear performed wonderfully.

JAMES MATHER, SUPERVISING SOUND EDITOR

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CSEverest1862

Award-winning film and sound editorial teams conquer Everest with Avid Everywhere

Avid is the industry standard for a reason—it’s the best! Media Composer does everything I need it to, and more. I can view material, string different pieces together, and envision a scene very quickly from raw material—it’s very liberating.

MICK AUDSLEY, EDITOR

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CS_PamaStudios_1862

Digital and Analog in Harmony at Pama Studios

The S6 has allowed us to improve the way we work today, and the modular nature of the console gives us the flexibility to grow in the future.

MAGNUS AXELSSON, MANAGING DIRECTOR, PAMA STUDIOS

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Final Cut

Final Cut Expands Production with Avid S6

With Pro Tools | S6, no job seems too big. Everything we need to do can be done.

PATCH ROWLAND, HEAD OF AUDIO, FINAL CUT

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CS_TheFriedMusic_1862

Finland’s Premier Studio Unleashes Creativity with Avid

It’s important to have the ‘wow effect’ when the customer walks into the room. We get that effect with Pro Tools | S6.

ARTTU PELJO, MIXING ENGINEER, THE FRIED MUSIC

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Golf Channel Hits the Sweet Spot with Pro Tools | HDX

The ability for Pro Tools | HDX to provide direct control of audio and video files stored on our central ISIS server is a major game changer.

SCOTT PERRY, POST PRODUCTION MANAGER, GOLF CHANNEL

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