For us it was very important to have a global solution. We no longer wanted to waste time in data transfers between different equipment.
SYLVAIN LEVACHER, VIDEO TEAM LEAD, OPÉRA DE PARIS
For us it was very important to have a global solution. We no longer wanted to waste time in data transfers between different equipment.
SYLVAIN LEVACHER, VIDEO TEAM LEAD, OPÉRA DE PARIS
All graphics for the LED walls, lower thirds, full screen, virtual sets, or augmented reality, are integrated in the same workflow, controlled on-air, and connected to the right engine, with the same workflow.
JOSÉ LOPES, DIRECTOR OF OPERATIONS AND TECHNOLOGY
The Maestro | Virtual Set is used in both news and program production for both recording and live broadcasting, allowing us to replicate real-world scenes within the studio.
MR. CHATREE SEANGSUK, CHIEF OF STUDIO 2
The Avid Media Campus program will allow us to plan where we will be in the next five years. Avid’s commitment to hardware and software licensing models, support, and training allows us to establish an upgrade pathway.
ADRIAN KLYMENKO, SENIOR MEDIA SPECIALIST AND AVID CERTIFIED SUPPORT REPRESENTATIVE (ACSR)
The speed and efficiency of Avid allows people to get more done. You can just do more with all these new tools. When you have enough space, more search capabilities, and a reliable index it makes it possible for your editors to do more.
ALEX FARMARTINO, COORDINATING PRODUCER
With FastServe | Live Edit, we’ve been able to hone in and figure out how you tell a story, how to put edits together, how to create clips, and have the flexibility to do it all.
ISAAC SHAW, LEAD PACKAGE EDITOR AND STUDENT, MTSU