As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions
The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
Brown Bear Leads the Way on Remote Audio Post Production
As our business continues to grow and remote working comes to the forefront, in part due to the COVID-19 pandemic, we see ourselves being the leading provider of remote audio post-production services. The viability of remote working in the post-production industry has now been proven.
THOMAS DALTON, SOUND DESIGNER, DUBBING MIXER, FOUNDER, BROWN BEAR AUDIO
Mixing Jazz at Lincoln Center Broadcasts for SiriusXM
The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!
ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER
Postworks Fuels Expansion with Pro Tools | MTRX
As soon as I saw the full specs on the Pro Tools | MTRX with Dante, I realized there was finally a Pro Tools interface that could provide the routing & features I required to be able to quickly reconfigure and move projects from one room to another.
PHILLIP FULLER, CHIEF OF AUDIO, POSTWORKS NEW YORK
Collaborating Across Continents to Create Bokanté’s What Heat Album
From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.
MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN