As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions
The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
Mixing Jazz at Lincoln Center Broadcasts for SiriusXM
The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!
ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER
Power Station BerkleeNYC Uses MTRX to Link Studios for Broadway Cast Recordings
The sound quality has been great. I’ve received an enormous number of comments from clients who have felt that the sound quality has improved with these new systems.
IAN KAGEY, DIRECTOR OF OPERATIONS
Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
Postworks Fuels Expansion with Pro Tools | MTRX
As soon as I saw the full specs on the Pro Tools | MTRX with Dante, I realized there was finally a Pro Tools interface that could provide the routing & features I required to be able to quickly reconfigure and move projects from one room to another.
PHILLIP FULLER, CHIEF OF AUDIO, POSTWORKS NEW YORK