Control mixes with a touch—just added
With Avid VENUE 4.6 software, you gain a whole new level of touchscreen capabilities to navigate mixes and get to what you need faster—similar to the touch-based workflows in VENUE | S6L. Tap parameters on your display to target and assign them instantly to your S3 Channel Control encoders for easy access. Adjust faders and other settings directly on the touchscreen. Plus, the latest software also includes numerous system optimizations and improvements, so you experience even greater performance than ever before.
Mix monitors on your iPhone or iPad—just added
Wish you could step away from your console and fine-tune individual monitor mixes on stage? You can with the new VENUE | On-Stage iOS app, which enables you to control Aux master levels, Aux send levels, and Aux pans remotely through its VENUE-style interface. You can even let performers control their own monitor mixes using their own mobile devices. Best of all, it's a free download from the Apple App Store.
Mix anything, anywhere
It may be small, but it’s mighty. From major festivals to clubs with the tiniest FOH spaces, the compact Avid VENUE S3L-X can handle even the most demanding live productions. Experience exceptional performance when handling plug-in-heavy mixes. Mix and record live shows with the utmost efficiency. And easily scale your system to accommodate any size production.
Achieve incredible sound—live
VENUE systems are respected for their sound quality. The clarity. The warmth. S3L-X is no different, offering professional-grade I/O, transparent preamps, and EQ and dynamics on all outputs. And with direct support for the same plug-ins used in top recording studios, you can easily re-create an artist’s signature studio sound live. And eliminate expensive outboard gear and cumbersome external plug-in “servers.”
Set up a mobile studio
You archive every live show. But what happens to the recordings? With S3L-X, you can use the S3 as a standalone control surface with your laptop to remix shows to share with fans or for future commercial release. Not just Pro Tools sessions, but projects created in Logic, Cubase, and other DAWs too. What’s more, you even record overdubs and more through the S3’s built-in 4x6 audio interface.
Reduce complexity and cost
Forget fussing with bulky analog splits. With S3L-X, you can share the same I/O across multiple networked systems—without any loss of audio quality. This alone can save you thousands by reducing I/O and cable requirements, set-up time, and transportation costs. Plus, True Gain technology automatically manages gain compensation to ensure the proper signal levels in each engineer’s mix.
Scale up without being weighed down
With S3L-X, you can easily scale the system to meet your needs. Go from 16 mic pres with one Stage 16 box up to 64 with four. Rack your I/O in one location for easy supervision, or place each box closer to sources throughout the venue—up to 328 feet (100 meters) away. And with Ethernet AVB connectivity, all you need are lightweight, inexpensive Cat5e cables, putting an end to expensive, bulky analog snakes.
Get quick ’n’ easy USB drive recording
Don’t need a full Pro Tools multitrack session? Get 2-track recording and playback by connecting a USB Flash drive to the E3 engine. Archive stereo recordings of your board mix. Organize playlists in VENUE software to play pre-show or walk-up music. You can even integrate audio files with VENUE snapshots and events to trigger spot effects, cues, and music beds for theater performances.