Having all the freedom Sibelius offers is really a must, because score layouts in film sessions are a little bit different from symphonic sessions.
ANNE DERN, FILM COMPOSER
The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plug-ins and Pro Tools made the production very smooth.
YIN JIE, SOUND DESIGNER
Sibelius allows me to work quickly and efficiently and I use the system as a tool for writing my ideas. There are lots of features that I'm sure other users rely heavily on, but for me, it's all about notation.
SIMON HALE, COMPOSER, SPECTRE
Our implementation of Avid technologies helps us to stay current and to offer the same cutting-edge technologies in our classrooms and studios.
LIZ TEUTSCH, ASSISTANT DIRECTOR OF ACADEMIC TECHNOLOGY AND ASSOCIATE PROFESSOR, BERKLEE COLLEGE OF MUSIC
When first exploring computer notation software, I tried the major programs available and found Sibelius to be the most musically intuitive and consequently I was able to begin writing almost immediately.
DAVID PRITCHARD-BLUNT, MUSICAL DIRECTOR AND ARRANGER
It’s a wonderful suite of tools that are part of my workflow every day. For example, I was working on a plane making some last minute score changes for Stevie [Wonder] while in flight. By the time we landed I was ready to go. I’m grateful that Avid has produced products that allow me to be flexible and meet the varied requirements of my professional projects.
DR. ROBERT PALAZZO, DEAN OF THE COLLEGE OF ARTS AND SCIENCES, UAB