The sound quality has been great. I’ve received an enormous number of comments from clients who have felt that the sound quality has improved with these new systems.
IAN KAGEY, DIRECTOR OF OPERATIONS
Power Station BerkleeNYC Uses MTRX to Link Studios for Broadway Cast Recordings
Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
Postworks Fuels Expansion with Pro Tools | MTRX
As soon as I saw the full specs on the Pro Tools | MTRX with Dante, I realized there was finally a Pro Tools interface that could provide the routing & features I required to be able to quickly reconfigure and move projects from one room to another.
PHILLIP FULLER, CHIEF OF AUDIO, POSTWORKS NEW YORK
South Africa’s Urban Rhythm Factory Is the Continent’s First to Implement Pro Tools | MTRX
All URF studios are now completely cross compatible from session to session, which increases efficiency, productivity and quality for us as a business, which were some of most important factors we considered.
THEUNS DU TOIT, HEAD OF URBAN RHYTHM FACTORY
Avid NEXIS Gives Israel’s Largest Post House 4K and Shared Workflow Capabilities
We always try to be the technology leaders in Israel. We were the first post house to purchase an early Avid storage solution for offline back in the day when all other post houses were using SCSI external drives. And we are the first post house to deploy NEXIS for shared high-bandwidth colour grading and film restoration.
DORI BASHAN, VICE PRESIDENT, TECHNOLOGY DEVELOPMENT
Avid Solutions Give Monkeyland Audio Unparalleled Production Facilities
We loved the fact that [the Pro Tools | S6] can expand and quickly reconfigure to meet the requirements of different mixers. We really wanted a state-of-the-art, high-end new room for our new Atmos stage. It was a no-brainer it was going to be the S6.
MICHAEL TOJI, VICE PRESIDENT OF POST-PRODUCTION SERVICES