Blame Game EXP feat. Harry Shotta in Dolby Atmos
Monte Casino: Our Journey to Dolby Atmos
Re-Recording Mixer Jonathan Wales Dives Deep into Why the New Hybrid Engine for HDX Is “Mind-Blowing”
HDX has been completely reinvigorated, which is massive.
JONATHAN WALES, RE-RECORDING MIXER (GET OUT, MEMENTO)
Saya: A Unique Setting for Artisans in Post Production
The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.
PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION
The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
Power Station BerkleeNYC Uses MTRX to Link Studios for Broadway Cast Recordings
The sound quality has been great. I’ve received an enormous number of comments from clients who have felt that the sound quality has improved with these new systems.
IAN KAGEY, DIRECTOR OF OPERATIONS