HDX has been completely reinvigorated, which is massive.
JONATHAN WALES, RE-RECORDING MIXER (GET OUT, MEMENTO)
Re-Recording Mixer Jonathan Wales Dives Deep into Why the New Hybrid Engine for HDX Is “Mind-Blowing”
Saya: A Unique Setting for Artisans in Post Production
The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.
PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION
The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC
Power Station BerkleeNYC Uses MTRX to Link Studios for Broadway Cast Recordings
The sound quality has been great. I’ve received an enormous number of comments from clients who have felt that the sound quality has improved with these new systems.
IAN KAGEY, DIRECTOR OF OPERATIONS
Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
Postworks Fuels Expansion with Pro Tools | MTRX
As soon as I saw the full specs on the Pro Tools | MTRX with Dante, I realized there was finally a Pro Tools interface that could provide the routing & features I required to be able to quickly reconfigure and move projects from one room to another.
PHILLIP FULLER, CHIEF OF AUDIO, POSTWORKS NEW YORK