Customer stories

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South Africa’s Urban Rhythm Factory is the Continent’s First to Implement Pro Tools | MTRX

All URF studios are now completely cross compatible from session to session, which increases efficiency, productivity and quality for us as a business, which were some of most important factors we considered.

THEUNS DU TOIT, HEAD OF URBAN RHYTHM FACTORY

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Avid NEXIS Gives Israel’s Largest Post House 4K and Shared Workflow Capabilities

We always try to be the technology leaders in Israel. We were the first post house to purchase an early Avid storage solution for offline back in the day when all other post houses were using SCSI external drives. And we are the first post house to deploy NEXIS for shared high-bandwidth colour grading and film restoration.

DORI BASHAN, VICE PRESIDENT, TECHNOLOGY DEVELOPMENT

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Avid Solutions Give Monkeyland Audio Unparalleled Production Facilities

We loved the fact that [the Pro Tools | S6] can expand and quickly reconfigure to meet the requirements of different mixers. We really wanted a state-of-the-art, high-end new room for our new Atmos stage. It was a no-brainer it was going to be the S6.

MICHAEL TOJI, VICE PRESIDENT OF POST-PRODUCTION SERVICES

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Gorilla: Setting the Pace in Post-Production in the UK

Since merging our Pro Tools systems with the powerful NEXIS storage, our picture and audio editorial teams are working in ultimate real-time. The compatibility benefits everyone, and production processes are much more unified, simplified, and a lot quicker.

RHODRI JAMES, TECHNOLOGY DIRECTOR

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Behind the Scenes at the Savannah Film Festival

Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.

Jonathan Wales, chief executive/re-recording mixer, Satellite Post Production

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Gigantic Studios: State of the Art Post Production

The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.

TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER

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