Customer stories

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Gorilla: Setting the Pace in Post-Production in the UK

Since merging our Pro Tools systems with the powerful NEXIS storage, our picture and audio editorial teams are working in ultimate real-time. The compatibility benefits everyone, and production processes are much more unified, simplified, and a lot quicker.

RHODRI JAMES, TECHNOLOGY DIRECTOR

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Behind the Scenes at the Savannah Film Festival

Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.

JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION

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Gigantic Studios: State of the Art Post Production

The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.

TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER

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Avid Creative Tools Maximize Sound Mixing for Mosfilm Russia

Pro Tools | HD and Pro Tools | S6 consoles give the most noted production companies and filmmakers in Russia the most advanced audio mixing capabilities today, including native Dolby Atmos mixing.

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Mastering the Universe with Avid Artist | DNxIQ

The DNxIQ is awesome because if I have a 24P project that I need to deliver at 60i, it’s just a click of a button in Avid and the DNxIQ takes care of the rest of it.

KATIE GERDON, ONLINE ASSISTANT EDITOR, TRAILBLAZER STUDIOS

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IT Editor and Mixer Use Avid Creative Tools to Resurrect a Classic Horror Film

Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.

MICHAEL KELLER, RE-RECORDING MIXER

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