Customer stories

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Avid Graphics Enhance TV3 Election Coverage

The groundbreaking aspect of this broadcast was the use of dual chroma keying within the HDVG+ render engine. We were able to project the results onto the parliamentary chamber, seat by seat, automatically updating the seat colours updated as the count progressed.

PAULI SUBIRÀ, HEAD OF PRODUCTION, TV3

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Monkey King 2 Uses Avid Editing Software for International Post-production and VFX Collaboration

The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plugins and Pro Tools made the production very smooth.

YIN JIE, SOUND DESIGNER

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Avid Goes on an Epic Journey with Star Wars: The Force Awakens

We can collaborate super quickly not only in Media Composer using Avid shared storage, but we work in Pro Tools and use Avid shared storage for that as well.

ROBERT STAMBLER, SOUND DESIGNER

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CSWaveStudio1862

Avid Pro Tools | S6 Makes Ripples at Wave Studios

When I used the S6, I just knew it was going to do the job for us. And it’s been worth the wait—I really like the ease of operation, and the desks are very ergonomically fluid.

JOHNNIE BURN, WAVE STUDIOS OWNER & CO-FOUNDER

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Avid Powers Star Citizen: Squadron 42's Galactic Editing

Without these features in Media Composer, I wouldn't have been able to conduct this type of editing so easily. If someone was to ask me what is the most beneficial thing they could do to get a job when starting out in the industry, I would tell them — learn Avid!

MICHAEL FREEDMAN, FILM EDITOR

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Avid Artist Suite helps Oscar-winning film and sound editorial teams uncover the secrets of Spectre

I’ve used Media Composer for so long now that I’m very comfortable with it and wouldn’t choose another system. With continuous and regular updates, I’m always learning new things.

JOHN LEE , ASSOCIATE EDITOR

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