Since merging our Pro Tools systems with the powerful NEXIS storage, our picture and audio editorial teams are working in ultimate real-time. The compatibility benefits everyone, and production processes are much more unified, simplified, and a lot quicker.
RHODRI JAMES, TECHNOLOGY DIRECTOR
Don’t underestimate really knowing your stuff, especially the tools. Work 100-hour weeks for almost nothing. Be at the right place at right time and have the right skill set and attitude. You need to be prepared to go for it.
JONATHAN WALES, CHIEF EXECUTIVE/RE-RECORDING MIXER, SATELLITE POST PRODUCTION
The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.
TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER
Pro Tools | HD and Pro Tools | S6 consoles give the most noted production companies and filmmakers in Russia the most advanced audio mixing capabilities today, including native Dolby Atmos mixing.
Obviously the entire industry works with Pro Tools. Its compatibility between editorial, picture, admin, operations, and mixers is essential – all need to interface seamlessly.
MICHAEL KELLER, RE-RECORDING MIXER
The Avid solution gives me a more intuitive way of mixing, and adds flexibility to jump between different projects fast and easily.
STEFAN BOMAN, PARK STUDIO CEO AND TECHNICAL ADVISOR