These tools have become so powerful… I don’t have to think about how I hammer the nail—I can just be creative.
ALAN BELL, EDITOR, THE AMAZING SPIDERMAN
Weaving Technology and Creativity for The Amazing Spider-Man
Technicolor Powers Cutting-Edge Post Complex with Avid
The sound compatibility was amazing—our mixes also translated perfectly to outside theaters.
GREG RUSSELL, TECHNICOLOR
Yellow Cab Stays on the Cutting-Edge with Avid S5 Fusion
For the Karmann movie I worked on a MC controller for over a month, premixing tracks in the box, which gave me a taste for the EuCon protocol and how it can speed up work with any DAW. This helped us decide to buy the S5 Fusion. I was really looking for a new hands-on-the-controls experience and there it was
STEVEN GHOUTI, CO-FOUNDER OF YELLOW CAB STUDIOS
Avid System 5-B Powers Production at CBC Vancouver
The System 5 is a beautiful desk with very quiet mic pre's. The metering is excellent with all the important information there at a glance.
RICHARD CHAMPAGNE, RECORDING ENGINEER AND SUPERVISOR, CBC
Russia’s Channel One Doubles Up on Avid System 5
The 100% redundancy of the DSP and router system makes the console irreplaceable for Channel One's production needs.
ANTON PHILIPPOV, DIRECTOR DEPUTY OF INFORMATION SERVICES, CHANNEL ONE
Avid Powers the Epic Soundtrack for Slumdog Millionnaire
Because everything is on the Pro Tools system, you can make the changes and quickly conform all of these multiple layers.
NIV ADIRI, SOUND EFFECTS AND MUSIC EDITOR, SLUMDOG MILLIONAIRE