As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions
Mixing for Impact: How Khalid’s FOH Engineer Meets His Band’s Creative Needs for Every Show
Since the S6L sounds the way it’s supposed to out of the gate, like an analog console, I can just tweak minor things instead of trying to completely shape a sound. In a high-pressure situation, it will save you a lot of time
CJ BLAIR, PRODUCTION MANAGER AND FOH ENGINEER FOR KHALID
Tokyo’s Artware hub Brings Immersive to Life with S6L and Spat
Knowing that we will be featuring artists from all over the world, we wanted to install a console that would be familiar to the greatest number of engineers—I felt the VENUE | S6L would be the best system.
KEIICHI ITOH, PRODUCER/ENGINEER, ARTWARE HUB
Music Makers: Razzmatazz Hits the Right Notes With Avid
With live music productions becoming increasingly demanding and complex, modern facilities simply have to be able to meet the needs of today’s generation of artists and performers. Avid’s solutions have enabled us to do just that, providing a level of flexibility, performance, and control that we have never enjoyed before.
JAUME FERNANDEZ, AUDIO MANAGER AT RAZZMATAZZ
Mixing Interpol, Young the Giant, and Yeah Yeah Yeahs on S6L
As soon as I heard that first kick drum hit and that first snare and vocal through an S6L through a PA that I've been working on for a while, I could immediately hear the difference. I was just so happy—I can't even put it in words!
HARLEY ZINKER, FRONT OF HOUSE ENGINEER, INTERPOL, YOUNG THE GIANT, YEAH YEAH YEAHS
Las Vegas Jazz Club Delivers World-class Sound
I have used pretty much every large-format console out there, and this is the best console I've ever used, hands down.
KEVIN HARVEY, HEAD AUDIO ENGINEER, MYRON'S CABARET JAZZ