With the complexity and number of channels needed for the production, we decided to use the three VENUE | S6L consoles sharing I/O in a star redundant network connected via Luminex switches. In this way all the desks had complete independent control of all the channels.
ROC MATEU TRIAS, SOUND DESIGNER FOR THE 2021 GOYA AWARDS
I didn’t find anything to be confusing… Anyone who knows a little bit about mixing could jump on and figure things out and quickly get something going—especially if someone else has an event and I’m not there.
GEOFFREY FUSCO, PRODUCTION MANAGER AT SHELTER COVE COMMUNITY CHURCH
Pro Tools is the only workflow that doesn’t make me feel crazy… It has never made me need to change my workflow—it has only improved on old habits I already have.
LAZARO CASANOVA, DJ, ELECTRONIC MUSIC PRODUCER, AND RECORD LABEL FOUNDER
As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
Knowing that we will be featuring artists from all over the world, we wanted to install a console that would be familiar to the greatest number of engineers—I felt the VENUE | S6L would be the best system.
KEIICHI ITOH, PRODUCER/ENGINEER, ARTWARE HUB
Since the S6L sounds the way it’s supposed to out of the gate, like an analog console, I can just tweak minor things instead of trying to completely shape a sound. In a high-pressure situation, it will save you a lot of time
CJ BLAIR, PRODUCTION MANAGER AND FOH ENGINEER FOR KHALID