I didn’t find anything to be confusing… Anyone who knows a little bit about mixing could jump on and figure things out and quickly get something going—especially if someone else has an event and I’m not there.
GEOFFREY FUSCO, PRODUCTION MANAGER AT SHELTER COVE COMMUNITY CHURCH
Pro Tools is the only workflow that doesn’t make me feel crazy… It has never made me need to change my workflow—it has only improved on old habits I already have.
LAZARO CASANOVA, DJ, ELECTRONIC MUSIC PRODUCER, AND RECORD LABEL FOUNDER
As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D
TIMO VIRTANEN, SOUNDON
Since the S6L sounds the way it’s supposed to out of the gate, like an analog console, I can just tweak minor things instead of trying to completely shape a sound. In a high-pressure situation, it will save you a lot of time
CJ BLAIR, PRODUCTION MANAGER AND FOH ENGINEER FOR KHALID
Knowing that we will be featuring artists from all over the world, we wanted to install a console that would be familiar to the greatest number of engineers—I felt the VENUE | S6L would be the best system.
KEIICHI ITOH, PRODUCER/ENGINEER, ARTWARE HUB
With live music productions becoming increasingly demanding and complex, modern facilities simply have to be able to meet the needs of today’s generation of artists and performers. Avid’s solutions have enabled us to do just that, providing a level of flexibility, performance, and control that we have never enjoyed before.
JAUME FERNANDEZ, AUDIO MANAGER AT RAZZMATAZZ