Customer stories

Starlight Main

Transforming Starlight Express Through Immersive Audio

Sound engineers are often required to spend a lot of time dealing with technology when their job is actually to focus on the music and create the best sound possible for the audiences. With the Avid systems you only have to worry about how things sound!

GARETH OWEN, SOUND DESIGNER

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CS_FullSailU

Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum

Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.

SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS

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Riot Roots

Avid VENUE | S6L Powers Riot Fest Stages

I came back to some of the front house guys who had been a little nervous about it at first, and they were all super stoked after it was over. We had some great mixes.

BRENT BERNHARD, AUDIO DEPARTMENT MANAGER, TECHNOTRIX

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Missy-Higgins-1-1862x1040

No Gray Areas with S6L on Missy Higgins Tour

The ability to custom design your surface with any combination of inputs, outputs, and VCAs is brilliant, and highly intuitive once you get your head around it. The ability to then store a single layout in a snapshot just takes that to an unprecedented level.

BRENT GRAY, FOH ENGINEER

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LLIURE HEADER

Barcelona’s Teatre Lliure Upgrades with Avid VENUE | S6L

Teatre Lliure in Barcelona installed a new VENUE | S6L live sound system to support the ingenious manipulation of scene and staging elements of its diverse performances.

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RHCP HEADER

Sully Sullivan Turns to S6L for Red Hot Chili Peppers’ Tour

With the VENUE | S6L, Avid has upped the game as far as the input quality goes.

SEAN “SULLY” SULLIVAN, FOH RED HOT CHILI PEPPERS WORLD TOUR

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