When we’re doing a playback with Virtual Soundcheck, that timecode can re-create pretty much the whole show—all the consoles, music, lights, video, everything. The moment I press play in Pro Tools, everything else follows.
JAVIER ALCARAZ, PRODUCTION MANAGER AND MONITOR ENGINEER, SELENA GOMEZ
Engineers who have worked with a lot of digital consoles or done a lot of Pro Tools recording can get up to speed on the VENUE in no time.
LEE BRENKMAN, SENIOR ENGINEER, GREAT AMERICAN MUSIC HALL
VENUE has certainly been a huge improvement in terms of sound quality and flexibility.
DENISE ZIMNY, MANAGER OF PRODUCTION SERVICES, PRINCESS CRUISES
We were drawn to Avid for the sound quality, reliability, ease of use, and expandability.
KAI SANDSTRÖM, DIGITAL STUDIO SPECIALIST, ARVA TRADING
The Profile was the right pick, because it is such a flexible platform for this type of show, and it was, by far, the most requested item on bands’ technical specifications.
IAN NELSON, SENIOR ENGINEER, ADLIB AUDIO
VENUE is very intuitive, and that’s the main reason I like it so much. With most other digital consoles I had to spend so much time learning the workflow, and that distracts from the actual job of mixing.
OLSEN INVOLTINI, FOH ENGINEER, RAMMSTEIN TOUR