When we’re in the booth singing our part, Driver’s standards are so high that we’ll sing the same four measures ten times to get the right vowel, the right placement, the right dynamics, as close to the final product as possible.
STEPHEN ROSS, COUNTERTENOR AND MUSIC DIRECTOR, FACE VOCAL BAND
The first thing I love about Pro Tools is when you're looking at the mixing window, you have the console, the inserts, the inputs, the outputs, the faders–it's very intuitive for a musician.
GASTÓN SARDELLI, BASSIST AND PRODUCER, AIRBAG
For many years, you would have separate boxes. You’d have a clock, you’d have an A to D converter, you’d have mic pre and then you’d go into an A to D converter, go to the conversion, and then D to A. MTRX puts it all in one box. It captures all the latest technologies and it’s pretty terrific.
FRANK FILIPETTI, SEVEN-TIME GRAMMY® AWARD WINNING PRODUCER, ENGINEER, AND MIXER
What recording artists have to do these days goes well beyond music—you have to be a producer, a director, a photo editor, a videographer. You have to be something more to rise above everyone else.
CHARLOTTE DEVANEY, PLATINUM RECORDING ARTIST & DJ/PRODUCER
In music, like in dance, and art, and any art form, we’re perfecting something we can reproduce time and time again, or we can close our eyes and let it come from the inside. In a perfect world we’d be a great blend of both.
ELIJAH RAY, GUITARIST, SINGINGER, SONGWRITER, VIBE CREATOR
I’m currently doing a Pro Tools 5.1 mix of a Coldplay stadium show in Chicago and there’s no other software that I could be doing this in as fluidly and efficiently.
RIK SIMPSON, GRAMMY AWARD-WINNING PRODUCER, ENGINEER AND MIXER