Collaboration really helped us with the workflow. We’re capable of doing pre-production here and putting it up in the cloud. Anybody with an idea can just plug in a microphone, plug in a guitar and just lace it in. I think it’s a game changer.
YARON FUCHS, PRODUCER & MIX ENGINEER
Pro Tools is the mothership of all digital audio workstations, because I can hear every detail, and manipulate other ingredients, like loops, and build upon that to get great ideas.
JINTAE KO, GRAMMY AWARD-WINNING SONGWRITER AND PRODUCER, DISNEY MUSIC GROUP & HOLLYWOOD RECORDS
Pro Tools for me is literally at the center of almost every aspect of creating and mixing music. And, when it comes to mixing, there is literally no other software I have ever used. Pro Tools is simply the standard.
LU DIAZ, PRODUCER, MIX ENGINEER AND MANAGER
When an artist entrusts you not only with their art, but their money, you don’t have a lot of opportunities to re-do a first take. I always look to Pro Tools. The last thing I want to be thinking about is any technical hindrances when I’m recording.
JOSHUA GRANGE, PRODUCER, SONGWRITER, MULTI-INSTRUMENTALIST
I stare at a Pro Tools screen every day—by choice. It’s definitely the way that I work. And I’m excited that cloud collaboration makes is that much easier to do what I do.
NOAH PASSOVOY, PRODUCER AND ENGINEER, MAROON 5
For gear, we like to use a combo of old analog stuff and lot of in-the-box soft synths and plug-ins. But, there’s nothing out there that we’d rather use than Pro Tools. That’s never changing.
ALEX SCHWARTZ, PRODUCER/SONGWRITER, THE FUTURISTICS