I’ve had Sibelius since it came out and it has remained the program I work with ever since. I was trained to orchestrate by hand, but digital technology took over and made the process easier and faster.
JEFF WAYNE, COMPOSER, ARRANGER, CONDUCTOR, AND PRODUCER
By transcribing I can actually see what I’m playing and then, when I’m reading the transcript, I’m playing it 100% correct from the beginning so muscle-memory is kicking in right from the start.
TROY WRIGHT, PROFESSIONAL DRUMMER & MUSIC TEACHER
I use Sibelius | Ultimate to get the most salient melodic and rhythmic fragments, and then move things around, copy and paste, and fine-tune. I’ve got it down to where it’s really simple and really fun.
BENNY RIETVELD, BASSIST AND MUSICAL DIRECTOR, SANTANA
Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.
MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN