Customer stories

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Face Vocal Band: Giving Rock a Human Voice

When we’re in the booth singing our part, Driver’s standards are so high that we’ll sing the same four measures ten times to get the right vowel, the right placement, the right dynamics, as close to the final product as possible.

STEPHEN ROSS, COUNTERTENOR AND MUSIC DIRECTOR, FACE VOCAL BAND

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Jessica Rudman: Putting Sibelius | Ultimate to Work

I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.

DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER

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Fred Dinkins: Making Excellence Look Easy with Sibelius

You can import a MIDI track into Sibelius, and there's your drum part already there, exactly how you played it. That's pretty awesome.

FRED DINKINS, DRUMMER, INSTRUCTOR, MUSIC DIRECTOR

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Jay Terrien: Orchestrating for Strings with Sibelius | Ultimate

The quickness of Sibelius | Ultimate matters when I need to share the music with a group, and when we need to get up to speed quickly for a performance or session.

JAY TERRIEN, VIOLINIST, COMPOSER, ARRANGER

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Oliver Caplan: Spreading Hope Through Music

Sibelius allows me to stand back and pretend I’m in the audience. While I’ve always dreamed of a pocket orchestra that lives in my desk drawer, Sibelius is the next best thing.

OLIVER CAPLAN, AMERICAN COMPOSER

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Perrine Virgile: Composing on Hollywood Time with Sibelius

When I came to Hollywood, I found everyone using Sibelius. It is much quicker and easier to get around, to implement articulations and notes, and makes the process very easy.

PERRINE VIRGILE, COMPOSER FOR FILM AND TELEVISION

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