Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.
MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN
When we’re in the booth singing our part, Driver’s standards are so high that we’ll sing the same four measures ten times to get the right vowel, the right placement, the right dynamics, as close to the final product as possible.
STEPHEN ROSS, COUNTERTENOR AND MUSIC DIRECTOR, FACE VOCAL BAND
I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.
DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER
You can import a MIDI track into Sibelius, and there's your drum part already there, exactly how you played it. That's pretty awesome.
FRED DINKINS, DRUMMER, INSTRUCTOR, MUSIC DIRECTOR
The quickness of Sibelius | Ultimate matters when I need to share the music with a group, and when we need to get up to speed quickly for a performance or session.
JAY TERRIEN, VIOLINIST, COMPOSER, ARRANGER