Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.
SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS
When we’re in the booth singing our part, Driver’s standards are so high that we’ll sing the same four measures ten times to get the right vowel, the right placement, the right dynamics, as close to the final product as possible.
STEPHEN ROSS, COUNTERTENOR AND MUSIC DIRECTOR, FACE VOCAL BAND
I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.
DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER
The quickness of Sibelius | Ultimate matters when I need to share the music with a group, and when we need to get up to speed quickly for a performance or session.
JAY TERRIEN, VIOLINIST, COMPOSER, ARRANGER
Sibelius allows me to stand back and pretend I’m in the audience. While I’ve always dreamed of a pocket orchestra that lives in my desk drawer, Sibelius is the next best thing.
OLIVER CAPLAN, AMERICAN COMPOSER
When I came to Hollywood, I found everyone using Sibelius. It is much quicker and easier to get around, to implement articulations and notes, and makes the process very easy.
PERRINE VIRGILE, COMPOSER FOR FILM AND TELEVISION