Getting the right music or sound mix requires carefully trained ears. But in an era of high-definition sound and fast turnaround times, you also need the right tools for the job.
Avid gives you the tools to set yourself apart with expert mixing capabilities. Create your best sound mixes faster with the most comprehensive tools available.
Whether you’re mixing music or sound for movies and TV, Avid’s suite of software and control surfaces enables you to produce your best mixes.
Professional music and audio production software and hardware
Social solutions for connecting and collaborating with the creative community
Hardware devices for hands-on control of audio and video software and systems
Get Aural Exciter and Big Bottom Pro by Aphex in one amazing bundle for Pro Tools—now only $99 USD (reg. $495 USD)
Webinar: In the Studio with Pro Tools | S3
See Ken Andrews record a track with S3
Whitepaper: Avid Pro Mixing
Learn more about Avid’s leadership and innovation in the professional mixing space
Video: Mixing Boyka: Undisputed 4
Re-recording mixer Gord Hillier examines his use of Avid-based workflows
Webinar: Avid Everywhere for Audio
See how Avid can help you create, manage, and monetize your music and audio content
Featured Blog
Mix faster by coloring tracks in Pro Tools
Webinar: Music Creation with Dave Audé
See how Dave remixes and builds a track for artists like U2 and Beyoncé
Webinar: S6—Mixing Redefined
Discover the most intuitive, immersive mixing experience for modern sound engineers
Pro Mixing Blogs
See the latest updates and tutorials at our blogs
Pro Mixing Brochure
Accelerate and automate mixing with Avid control surfaces
I love the fact that I can do separate playlists and go into Pro Tools and build a vocal across it that way, or I can just build in mutes for one section or another section on a sample track, and then go to the live drum track, and then back to the sample track.
JULIAN HERZFELD, MANAGER AND PRODUCER
As soon as I saw the full specs on the Pro Tools | MTRX with Dante, I realized there was finally a Pro Tools interface that could provide the routing & features I required to be able to quickly reconfigure and move projects from one room to another.
PHILLIP FULLER, CHIEF OF AUDIO, POSTWORKS NEW YORK
From the beginning it was decided that it would be a collaborative effort and we were writing the music with the orchestra in mind. It was by far the hardest mix I've ever been a part of.
MICHAEL LEAGUE, COMPOSER, PRODUCER, MUSICIAN
