Customer stories

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In the Mix: Q&A with Producer and Mix Engineer Lu Diaz

Pro Tools for me is literally at the center of almost every aspect of creating and mixing music. And, when it comes to mixing, there is literally no other software I have ever used. Pro Tools is simply the standard.

LU DIAZ, PRODUCER, MIX ENGINEER AND MANAGER

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Gigantic Studios: State of the Art Post Production

The budget for a film from the audio post side is literally a fifth of what it might have been 15 years ago. So, we need to find efficiencies in workflow to be able to deliver quality. That’s the challenge.

TOM PAUL, RE-RECORDING MIXER, SOUND DESIGNER, PARTNER

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Tone | Timbre | Tech: Recording with Joshua Grange & Brandy Zdan

When an artist entrusts you not only with their art, but their money, you don’t have a lot of opportunities to re-do a first take. I always look to Pro Tools. The last thing I want to be thinking about is any technical hindrances when I’m recording.

JOSHUA GRANGE, PRODUCER, SONGWRITER, MULTI-INSTRUMENTALIST

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Mastering the Universe with Avid Artist | DNxIQ

The DNxIQ is awesome because if I have a 24P project that I need to deliver at 60i, it’s just a click of a button in Avid and the DNxIQ takes care of the rest of it.

KATIE GERDON, ONLINE ASSISTANT EDITOR, TRAILBLAZER STUDIOS

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Maroon 5: Powered by Pro Tools & Cloud Collaboration

I stare at a Pro Tools screen every day—by choice. It’s definitely the way that I work. And I’m excited that cloud collaboration makes is that much easier to do what I do.

NOAH PASSOVOY, PRODUCER AND ENGINEER, MAROON 5

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The Futuristics: From Beat Makers to Hit Makers

For gear, we like to use a combo of old analog stuff and lot of in-the-box soft synths and plug-ins. But, there’s nothing out there that we’d rather use than Pro Tools. That’s never changing.

ALEX SCHWARTZ, PRODUCER/SONGWRITER, THE FUTURISTICS

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